![]() For example, a script consisting only of the following line would make the A key behave like the B key: a::b The syntax for the built-in remapping feature is OriginKey::DestinationKey. For the advantages and disadvantages of each approach, see registry remapping. Limitation: AutoHotkey's remapping feature described below is generally not as pure and effective as remapping directly via the Windows registry. Remapping via the Registry's "Scancode Map".Moving the Mouse Cursor via the Keyboard.The original engraving challenge also has solutions of this score replication done with MuseScore, Musixtex, Mup, Sibelius, LilyPond, Mozart and an alternative Finale version (with source files and documentation, but without video).Previous page next page Remapping Keys (Keyboard, Mouse and Joystick) Table of Contents Image 1: Automatic spacing of unisons in a 3/4 measure with the Perfect Layout plugin: (Note: this "3/4 equal distance" option is not available in the public release of the Perfect Layout plug-in as it is not standard notation). The Perfect Layout plugin imitates the original look where the stems in the top staff are not fully aligned with the unisons in the bottom staff, and stresses the 3/4 feeling visually (discussion of that topic here). On top we have 3/4 measures mostly with quarter notes: these should have more or less equal distances for a smooth look. Multiple layers, unisons combined with accidentals cause quite some problems in Finale's spacing algorithm. probably the main problem of this score in Finale is the tight spacing. ![]() ![]() the score is rhythmically very simple, so probably it would be even faster to input it via HyperScribe (but we don't have it setup for regular use. still in the default position, corrected in the PDF only).ģ.) The hairpins in the third system are still horizontal (not really necessary to shift them here).Ĥ.) The LH quarter rest after the double bar is slightly misaligned horizontally.ĥ.) Some slur connections are different than in the original - though one may argue which is better. A better approach would have been one voice for both notes and a manual change of the notehead for the top note (included in the PDF only).Ģ.) The slur three measures before the end was not flipped yet (i.e. We included the first two minor corrections in the PDF above and the image below (but not in the Finale file and not in the video):ġ.) The half note/quarter combination three measures before end is not perfectly aligned with the stem because the HayFIN font uses different widths for its noteheads (Maestro doesn't). Here are the main differences compared to the original document which we noticed afterwards. Logitech G13 for macros like the "Edit filter" selection, copying between layers and adding the double barline. The document uses the free Elbsound HayFIN music font and Old Standard TT for text. AutoHotKey for faster navigation in Speedy Entry and Scroll View (see below for our setup) andįor displaying the current active layer (red/green light with number in top right corner) TGTools Keyboard Remapper for quick access to the main Finale tools (see screenshot below for our setup). JW Lua for running the Elbsound.studio plugins. Elbsound.studio's House Style for changing the style of the score (not available yet). Elbsound.studio's Perfect Layout for optimizing all other layout issues (not available yet to the public, beta test only). Video: 10 minute livestream of the engraving process starting with Finale's default template ![]()
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